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@@ -64,7 +64,7 @@ <h1>At the Table with: Mary Church Terrell</h1>
 
         <p><em>At the Table</em> is an interactive art project and interface to support <strong>creatives, writers, and poets</strong> during the generative process of creative writing. This is done by asking you to directly engage with the words of civil rights activist and suffragist <a href="https://guides.loc.gov/mary-church-terrell">Mary Church Terrell (1863-1954)</a>. Thousands of <strong>creative prompts</strong> (i.e. questions and instructions) were generated by analyzing Terrell's writing from thousands of documents consisting of her diaries, letters, speeches, publications, and poetry. This interface aims to treat the <a href="https://www.loc.gov/collections/mary-church-terrell-papers/about-this-collection/">Mary Church Terrell Papers</a> not as a static collection of documents, but a <strong>vibrant and dynamic repository</strong> that leaves you with a renewed sense of the possibilities of words and their power to create effective change.</p>
 
-        <p>This project was created by the Library of Congress 2023 <a href="https://www.loc.gov/programs/of-the-people/learn/archives-history-and-heritage-advanced-internship/">AHHA interns</a>, Ide Amari Thompson and Madeline Toombs, as part of the <a href="https://www.loc.gov/programs/of-the-people/represent/connecting-communities-digital-initiative/">Connecting Communities Digital Initiative (CCDI)</a>.</p>
+        <p>This project was created by Library of Congress <a href="https://www.loc.gov/programs/of-the-people/learn/archives-history-and-heritage-advanced-internship/">AHHA interns</a>, Ide Amari Thompson and Madeline Toombs, as part of the <a href="https://www.loc.gov/programs/of-the-people/represent/connecting-communities-digital-initiative/">Connecting Communities Digital Initiative (CCDI)</a>. <a href="https://blogs.loc.gov/ofthepeople/2024/01/the-power-and-possibilities-of-words-with-the-mary-church-terrell-papers/">Learn more about this project</a>.</p>
 
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-            <a href="?page=intro" class="intro-link">← Introduction</a> <h1>At the Table With Mary Church Terrell</h1>
+            <a href="?page=intro" class="intro-link">← Introduction</a> <h1>At the Table with Mary Church Terrell</h1>
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     <h1><em>At the Table</em> Artist Statement &amp; Methodology</h1>
-    <p><a href="https://guides.loc.gov/mary-church-terrell">Mary Church Terrell (1863-1954)</a> was above all an “unceasing militant” (<a href="https://lccn.loc.gov/2020024350">Parker 2020</a>) advocating for the Black woman who chose to fervently resist the forces that tried to quiet her voice. It is from this complex legacy of both her public and private life that the interactive art project <em>At the Table With: Mary Church Terrell</em> was formed by the Library of Congress's <a href="https://www.loc.gov/programs/of-the-people/represent/connecting-communities-digital-initiative/">Connecting Communities Digital Initiative (CCDI)</a> and its 2023 <a href="https://www.loc.gov/programs/of-the-people/learn/archives-history-and-heritage-advanced-internship/">AHHA interns</a> to reimagined ways of interacting the <a href="https://www.loc.gov/collections/mary-church-terrell-papers/about-this-collection/">Mary Church Terrell Papers</a> not as a static collection of documents and images, but a vibrant repository of information on a person with tenacity and zeal to confront the inequities of the world around her.</p>
+    <p><a href="https://guides.loc.gov/mary-church-terrell">Mary Church Terrell (1863-1954)</a> was above all an “unceasing militant” (<a href="https://lccn.loc.gov/2020024350">Parker 2020</a>) advocating for the Black woman who chose to fervently resist the forces that tried to quiet her voice. It is from this complex legacy of both her public and private life that the interactive art project <em>At the Table with: Mary Church Terrell</em> was formed by the Library of Congress's <a href="https://www.loc.gov/programs/of-the-people/represent/connecting-communities-digital-initiative/">Connecting Communities Digital Initiative (CCDI)</a> and its 2023 <a href="https://www.loc.gov/programs/of-the-people/learn/archives-history-and-heritage-advanced-internship/">AHHA interns</a> to reimagined ways of interacting the <a href="https://www.loc.gov/collections/mary-church-terrell-papers/about-this-collection/">Mary Church Terrell Papers</a> not as a static collection of documents and images, but a vibrant repository of information on a person with tenacity and zeal to confront the inequities of the world around her.</p>
 
     <p>During the formation of the interface, while we sought to create an engaging product for the general public, we also had particular audiences in mind. Given Terrell's life experiences, we focused on the usefulness of the interface and its generative process for Black creatives, educators, students, writers and poets especially. A collection like Terrell's at the Library is unique for many reasons, among them being its focus solely on a Black woman who was a Women's rights activist, orator and educator and co-founder of prominent Black Civil rights organizations in the U.S.</p>
 
     <p>The creative and technical process behind the interface is driven by the use of natural language process (NLP) software to generate prompts from the full texts of Terrell's poems, essays, speech and correspondences. <a href="https://github.com/libraryOfCongress/manuscripts-for-poets/">Custom and open-source code</a> was written to analyze the sentence structure of these texts to identify and extract what we considered "creative prompts" such as questions, directives, and instructions that could be "spoken" directly to users of the interface. Since this was an automated process, the results are not perfect and may lead to sometimes jarring, peculiar, or humorous excerpts from the collection.</p>
 
     <p>Also, we acknowledge the need for sensitivity around some of the word choices Terrell. Terrell was as a product of her time and place in the world as a well off socially influential Light-skinned Black Woman in the late 19th and mid 20th centuries. She would have used words to describe certain events that may be jarring to contemporary readers. Terrell lived through great changes, stretching from the period of the U.S. Post-Civil War Reconstruction and the ending of legalized racial segregation in US education in the 1950’s.</p>
 
-    <p>We hope that with your experience with <em>At the Table With: Mary Church Terrell</em> you learn not only about the life of Terrell but also learn vital and innovative ways of addressing the issues of this particular historical moment. We hope to leave you with a renewed sense of the possibilities of words and their power to create effective change. We hope you too will become an “unceasing militant” as exemplified by Mary Church Terrell.</p>
+    <p>We hope that with your experience with <em>At the Table with: Mary Church Terrell</em> you learn not only about the life of Terrell but also learn vital and innovative ways of addressing the issues of this particular historical moment. We hope to leave you with a renewed sense of the possibilities of words and their power to create effective change. We hope you too will become an “unceasing militant” as exemplified by Mary Church Terrell.</p>
 
     <p style="text-align: right;">
       <em>Ide Amari Thompson &amp; Madeline Toombs</em><br />
-      2023 Library of Congress AHHA interns and creators of <em>At the Table With: Mary Church Terrell</em>
+      2023 Library of Congress AHHA interns and creators of <em>At the Table with: Mary Church Terrell</em>
     </p>
 
-    <p style="text-align: right;"><a href="credits.html">Project credits</a></p>
+    <p style="text-align: right;">
+      <a href="credits.html">Project credits</a><br />
+      <a href="https://blogs.loc.gov/ofthepeople/2024/01/the-power-and-possibilities-of-words-with-the-mary-church-terrell-papers/">Read a blog post about this project</a>
+    </p>
 
     <p style="text-align: center;"><a href="index.html" class="button large">View the project</a></p>
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