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At the [BFI National Archive](https://www.bfi.org.uk/bfi-national-archive) we have been encoding DPX sequences to FFV1 Matroska since late 2019. In that time our RAWcooked workflow has evolved with the development of RAWcooked, DPX resolutions and flavours and changes in our encoding project priorities. Today we have a fairly hands-off automated workflow which handles 2K, 4K, RGB, Luma, DPX and Tiff image sequences. This workflow is built on some of the flags developed by the Media Area and written in a mix of BASH shell scripts and Python3 scripts and is available to view from the [BFI Data & Digital Preservation GitHub](https://github.com/bfidatadigipres/dpx_encoding). In addition to our RAWcooked use I will also consider how we use other Media Area tools alongside RAWcooked to complete necessary stages of this workflow. Our encoding processes do not include any alpha channels or audio file processing, but RAWcooked is capable of encoding both into the completed FFV1 Matroska dependent upon your licence.
At the [BFI National Archive](https://www.bfi.org.uk/bfi-national-archive) we have been encoding DPX sequences to FFV1 Matroska since late 2019. In that time our RAWcooked workflow has evolved with the development of RAWcooked, DPX resolutions and flavours and changes in our encoding project priorities. Today we have a fairly hands-off automated workflow which handles 2K and 4K image sequences. This workflow is built on some of the flags developed in RAWcooked by Media Area and written in a mix of Bash shell and Python3 scripts ([BFI Data & Digital Preservation GitHub](https://github.com/bfidatadigipres/dpx_encoding)). In addition to RAWcooked we use other Media Area tools to complete necessary stages of this workflow. Our encoding processes do not include any alpha channel or audio file processing, but RAWcooked is capable of encoding both into the completed FFV1 Matroska.
This case study is broken into the following sections:
