included additions from @kcimc

README.md

@@ -9,7 +9,7 @@ Twitter: @[golan](twitter.com/golan) & @[golancourses](twitter.com/golancourses)
 
 > <small>This is an interdisciplinary course in experimental media practices that arise from using devices to "capture" the world. We will survey state-of-the-art techniques and emerging ideas, in the industry and in academia, to capture, model, and render objects, people, places and events. The course evaluation will be project-based, in which students will capture a wide variety of things, and develop projects around the data they collect. We will cover capture techniques including motion capture, video-based capture, panoramic and hyperspectral imaging, depth sensors, 3D scanners, hand and eye-gaze trackers; classic and contemporary representations of face and body pose and motion; and recent progress in animation, synthesis, classification, and rehabilitation on new forms of displays. Please note that there are usage/materials fees associated with this course.</small>
 
-*This syllabus contains many contributions from [James George](http://jamesgeorge.org/) and [Alexander Porter](http://alexanderporter.net/) (of [Specular.cc](http://www.specular.cc/)), [Pablo Garcia](http://pablogarcia.org/), [Jeffrey Hinkelman](https://twitter.com/jeffhinkelman), [Matt Gray](http://www.northeastern.edu/camd/theatre/people/matt-gray/), [Yaser Sheikh](http://www.cs.cmu.edu/~yaser/), and others.*
+*This syllabus contains many contributions from [James George](http://jamesgeorge.org/) and [Alexander Porter](http://alexanderporter.net/) (of [Specular.cc](http://www.specular.cc/)), [Pablo Garcia](http://pablogarcia.org/), [Jeffrey Hinkelman](https://twitter.com/jeffhinkelman), [Kyle McDonald](http://kylemcdonald.net/), [Matt Gray](http://www.northeastern.edu/camd/theatre/people/matt-gray/), [Yaser Sheikh](http://www.cs.cmu.edu/~yaser/), and others.*
 
 --
 ### Learning Objectives

docs/bullettime.md

@@ -14,8 +14,10 @@ An excellent technical overview can be found at digitalair.com:
 
 ### For Viewing and Consideration
 
-* [The Matrix](https://www.youtube.com/watch?v=KNrSNcaYiZg) "The original"
+* [Tim Macmillan's early work](https://vimeo.com/6165108) (1980 - 1994).
+* [*The Matrix*](https://www.youtube.com/watch?v=KNrSNcaYiZg), The film that popularized the method. 
 * [The Matrix: raw footage](https://www.youtube.com/watch?v=bKEcElcTUMk)
+* [Olivier Gondry for Tiga, *You Gonna Want Me*, ](https://vimeo.com/73638593): long exposure bullet time (2005).
 * [How does it work? Bullet Time (National Geographic)](https://www.youtube.com/watch?v=OruWu1hZe9M)
 * [Lumasol.nl *Trampolina*](https://vimeo.com/85672871) Bullet-Time photo booth with trampoline
 * [Lumasol.nl](http://360player.nl/) Bullet-time light painting

docs/calendar.md

@@ -28,14 +28,7 @@ Mon 09/14	Guest lecture (tentative):
 			* Light field imaging
 			* Reflectometry
 			* Scale (Microscopy, Telescopy)
-Wed 09/16	Guest lecture (tentative): Kyle McDonald
----------------------------	
-Mon 09/21	In-class work session
-			Working dinner at the STUDIO
-Wed 09/23	PROJECT 1 (OBJECT) DUE; CRITIQUE. 
-Thu 09/24 Guest Lecture: Allahyari+Rourke (5:00pm, CFA-111)
----------------------------
-Mon 09/28	Technologies III (Time, Space, and Motion): 
+Wed 09/16	Technologies III (Time, Space, and Motion): 
 			* Overcranking (Slow-Motion)
 			* Undercranking and Time Lapse
 			* Long Exposure and Light Painting
@@ -45,6 +38,13 @@ Mon 09/28	Technologies III (Time, Space, and Motion):
 			* Looping (Canon) Time
 			* Slit-Scanning
 			* Stroboscopy
+---------------------------	
+Mon 09/21	In-class work session
+			Working dinner at the STUDIO
+Wed 09/23	PROJECT 1 (OBJECT) DUE; CRITIQUE. 
+Thu 09/24 Guest Lecture: Allahyari+Rourke (5:00pm, CFA-111)
+---------------------------
+Mon 09/28	Guest lecture (confirmed): Kyle McDonald
 Wed 09/30	Technologies IV (Body & Gesture):
 			* Silhouettes & Blob Tracking
 			* The Kinect skeleton 
@@ -59,7 +59,7 @@ Wed 10/07	Technologies VI (Gesture)
 			  (Mouse, Pen, Wii, Phantom, Leap, LIDAR, GPS,
 			  Eyetribe, Flock of Birds, Sparkfun 9DOF, etc.)
 ---------------------------
-Mon 10/12	Catch-up day (TBA) [Alt. Date for Kyle]
+Mon 10/12	Catch-up day (TBA)
 Wed 10/14	In-class work session 
 ---------------------------
 Sun 10/18	Working dinner at the STUDIO

docs/longexposure.md

@@ -2,12 +2,16 @@
 
 ![Long exposure by Matthew Fang](images/long-exposure-matthew-fang.jpg)
 
-### Some examples 
+### For viewing and consideration 
 
 * [David Rokeby, *Plot Against Time*](http://www.davidrokeby.com/PlotAgainstTime.html)
 * [Terence Chang, long exposure photos of airplane takeoffs](http://www.amusingplanet.com/2011/05/long-exposure-shots-of-airline-takeoffs.html)
 * [Long Exposure Photographs of Gold Fireflies in Japan](http://www.thisiscolossal.com/2011/12/stunning-time-lapse-photographs-of-gold-fireflies-in-japan/)
-* [Fireflies by Vincent Brady](http://www.vincentbrady.com/fireflies)
-* [Berg/Dentsu, Making Future Magic (iPad Light Painting, 2010)](https://vimeo.com/14958082)
-* [Croix Gagnon and Frank Schott, 12:31. (iPad Light Painting, 2011)](http://www.project1231.com/)
+* [Vincent Brady, *Fireflies*](http://www.vincentbrady.com/fireflies)
+* [Berg/Dentsu, *Making Future Magic* (iPad Light Painting, 2010)](https://vimeo.com/14958082)
+* [Croix Gagnon and Frank Schott, *12:31*. (iPad Light Painting, 2011)](http://www.project1231.com/)
+* [Olivier Gondry (dir.) for Tiga, *You Gonna Want Me*](https://vimeo.com/73638593): long exposure bullet time. 
 
+![Shinichi Maruyama, *Nudes*](images/maruyama-long-exposure.jpg)<br />
+
+* [Shinichi Maruyama, *Nudes*](http://www.shinichimaruyama.com/)

docs/overcranking.md

@@ -39,6 +39,8 @@ Because the exposure time of each frame is so short, high-frame-rate cameras gen
   * High-speed recordings of people on subway platforms. 
   * [Stainless - Shinjuku](https://vimeo.com/77489382)
   * [Stainless, 42 Street](https://vimeo.com/83664407)
+1. Luke DuBois, [Vertical Music](https://vimeo.com/41507465) (2012). A chamber piece written for 12 players, lasting 4 1/2 minutes. Each musician was filmed individually in several takes using a high-speed (300fps) camera and an extremely high definition (1 MHz) analog-to-digital audio recording setup. When played back at 30fps, total time is ~45 minutes.
+
 1. Julien Maire, [*Double-Face* and *Ordonner*](http://julienmaire.ideenshop.net/project3.shtml)
   * French new-media artist Julien Maire plays fun on the concept of slow-motion cinema in these elaborately conceived simulacra, which are not actually presented in slow-motion. In one live performance (*Ordonner*), he heaves "heavy-looking" cardboard boxes which are in reality filled with helium balloons; their slow, gentle tumble through the air is a near-perfect imitation of slowmo video. In Maire's *Double-Face* performance, a coin tossed in the air tumbles ever more slowly until it eventually comes to a rest in mid-air; in fact, the coin is controlled by a mechatronic suspension system with nearly invisible guy-wires.
   * [*Double-Face* ](http://julienmaire.ideenshop.net/mov/df_perf.mov) (Quicktime)
@@ -52,3 +54,8 @@ Because the exposure time of each frame is so short, high-frame-rate cameras gen
 * [Spinning mirror systems](http://www.stanfordcomputeroptics.com/applications/physics/rotating-mirror-camera.html) can achieve 3 million fps. 
 * This [trillion-fps camera from MIT](http://video.mit.edu/watch/visualizing-video-at-the-speed-of-light-one-trillion-frames-per-second-9742/) can capture the movement of light *as it travels*. 
 
+### Audio 
+
+Special things happen to sound when it is slowed down *and* time-stretched. The best-known example of this is the "800% slower" Justin Bieber track, *[U Smile](http://knowyourmeme.com/memes/800-slower-time-stretch)*. Note that the time-stretching preserves the original frequences of the audio, rather than causing the pitch to drop into the infrasonic range. 
+
+

docs/undercranking.md

@@ -23,6 +23,8 @@ Recent iOS iPhones will record time-lapse videos. Many camera manufacturers also
   * [Original audio](http://audio.theguardian.tv/sys-audio/Arts/Culture/2007/01/24/yellowhammerfinal.mp3) (MP3)
   * [*Dawn Chorus*](https://www.youtube.com/watch?v=PCCpnDtgxXk) (YouTube)
 
+1. Luke DuBois, *[Fashionably Late for the Relationship](https://vimeo.com/30496329)*, (2008). Using a visual averaging computational process, a three-day long public performance by Lián Amaris Sifuentes was algorithmically time-compressed into a 63 minute video work.
+
 1. Keith Loutit, tilt-shift time-lapse videos
   * [*Beached*, 2008](https://vimeo.com/1785993)
   * [*Small Worlds*, 2010](https://vimeo.com/10792824)