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J.S. Bach: Das wohltemperierte Klavier – Erster Teil: Praeludium V
Signed-off-by: Davide Madrisan <[email protected]>
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178 changes: 178 additions & 0 deletions
178
...ach/das-wohltemperierte-klavier-I/BWV850/das-wohltemperierte-klavier-I-05-1-praeludium.ly
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Global = { | ||
\key d \major | ||
\time 4/4 | ||
\include "../global.ly" | ||
} | ||
|
||
Soprano = \context Voice = "one" \relative c'' { | ||
\voiceOne | ||
\stemNeutral\tieNeutral | ||
\override MultiMeasureRest.staff-position = #0 | ||
\override Rest.staff-position = #0 | ||
%1 | ||
%1 | ||
| r16 d e fis a, fis' e d a' d, e fis a, fis' e d | ||
| g e fis g b, d cis b cis e fis g a, g' fis e | ||
| fis d e fis a, cis b a b d e fis b, a' gis fis | ||
| gis e fis gis b, d cis b a cis d e fis, e' d cis | ||
%5 | ||
| d b cis d fis, a gis fis gis b cis d e, d' cis b | ||
| cis a b cis e, g fis e fis a b cis fis, e' dis cis | ||
| dis b cis dis fis, a g! fis e g a b cis, d' cis b | ||
| ais e fis g cis, g' fis e d b' cis d fis, a gis fis | ||
| eis gis a b eis, d' cis b gis' eis fis gis cis, b' a gis | ||
%10 | ||
| a fis gis a cis, e dis cis dis fis g a b, a' g fis | ||
| g e fis g b, d c b c dis e fis a, c b a | ||
| g e' fis g b, d cis b cis e fis g a, g' fis e | ||
| fis d e fis a, c b a b g a b cis, b' a g | ||
| fis d e fis a, c b a b d e fis b, a' gis fis | ||
%15 | ||
| gis e fis gis b, d c b a c d e a, g' fis e | ||
| dis a b c fis, c' b a g e' fis g b, d cis b | ||
| ais cis d e ais, g' fis e cis' ais b cis fis, e' d cis | ||
| d b cis d fis, a gis fis gis b c d e, d' c b | ||
| c a b c e, g fis e fis a b c d, c' b a | ||
%20 | ||
| b g a b d, b' a g d' g, a b d, b' a g | ||
| c a b c e, g fis e fis a b c d, c' b a | ||
| b g a b d, fis e d e g a b e, d' cis b | ||
| cis a b cis e, g fis e d fis g a b, a' g fis | ||
| g e fis g b, d cis b cis e fis g a, g' fis e | ||
%25 | ||
| fis d e fis a, fis' e d a' fis g a d, c' b a | ||
| b g a b d, b' a g d' b cis d gis, f' e d | ||
| cis a b cis e, g fis e a d e fis b, a' g fis | ||
| g cis, d e a, g' fis e fis b, cis d gis, fis' e d | ||
| cis g a bes e, g f e f d' e f cis e d cis | ||
%30 | ||
| d bes' a g f e d cis d f e d b' gis a b | ||
\noBreak | ||
| f d e f b, gis a b e, fis gis a b cis d e | ||
| \stemUp\tieUp f4. e8_~ e d_~ d[ cis] | ||
| <d, f gis b d>4~\arpeggio d'32 cis b a g fis e fis g a b cis d e f e | ||
\stemUp d cis b a g \stemDown fis[ e d] | ||
| \stemUp <cis' e g bes>8 f\rest <d f gis b> f\rest d4 cis | ||
%35 | ||
| <fis,! a d>1\fermata | ||
\fine | ||
} | ||
|
||
Alto = \context Voice = "two" \relative c'' { | ||
\voiceTwo | ||
\stemDown\tieDown | ||
\override Rest.staff-position = #0 | ||
\mergeDifferentlyDottedOn | ||
%1 | ||
| s1*31 | ||
| f16 cis d a bes g e' g, a f! d' f, g e cis' e, | ||
| s1 | ||
| <cis e g bes>8 e\rest <d f gis b> e\rest <e a!>2 | ||
} | ||
|
||
Tenor = \context Voice = "three" \relative c { | ||
\voiceThree | ||
\stemUp\tieUp | ||
\override Rest.staff-position = #0 | ||
%1 | ||
| s1*26 | ||
| \shiftOff a8 r g' r fis r d r | ||
| a8 r cis r d r b r | ||
| g'16\rest e f g cis, e d cis d f g a e g f e | ||
%30 | ||
| f d e f a, c bes a s2 | ||
| s1 | ||
| f'8\rest a g! cis, f d e g | ||
| s1 | ||
| s2 << { \shiftOn e4 g } \\ { \stemUp a2 } >> | ||
|
||
} | ||
|
||
Bass = \context Voice = "four" \relative c { | ||
\voiceFour | ||
\stemNeutral\tieNeutral | ||
\override MultiMeasureRest.staff-position = #0 | ||
\override Rest.staff-position = #0 | ||
%1 | ||
| d8^. r d'^. r fis,^. r d'^. r | ||
| e,^. r d'^. r a^. r cis^. r | ||
| d, r d' r d, r d' r | ||
| d, r gis r cis, r a' r | ||
%5 | ||
| b, r a' r e r gis r | ||
| a, r a' r a, r a' r | ||
| a, r dis r g,! r e' r | ||
| fis, r fis' r fis, r fis' r | ||
| fis, r fis' r fis, r fis' r | ||
%10 | ||
| fis, r fis' r b, r dis r | ||
| e, r e' r e, r dis' r | ||
| e, r e' r a, r cis r | ||
| d, r d' r d, r d' r | ||
| d, r d' r d, r d' r | ||
%15 | ||
| d, r gis' r c, r fis r | ||
| b, r dis r e r g r | ||
| b, r e r g r ais r | ||
| b, r b' r e, r gis r | ||
| a, r a' r d, r fis r | ||
%20 | ||
| g, r g' r b, r g' r | ||
| a, r g' r d r fis r | ||
| g, r g' r g, r g' r | ||
| g, r cis r fis, r d' r | ||
| e, r d' r a r cis r | ||
%25 | ||
| d, r d' r fis, r a' r | ||
| g, r g' r b, r d' r | ||
| \shiftOn a,1 | ||
| a | ||
| \stemDown\tieDown a~ | ||
%30 | ||
| a4 s \stemNeutral gis2~ | ||
| gis1 | ||
| a | ||
| <b d f gis b>4\arpeggio r s2 | ||
| s2 \stemDown a | ||
%35 | ||
| <d fis! a>1\fermata | ||
\fine | ||
} | ||
|
||
\score { | ||
\new PianoStaff | ||
<< | ||
\accidentalStyle Score.piano | ||
\context Staff = "upper" << | ||
\set Staff.midiInstrument = #"acoustic grand" | ||
\Global | ||
\clef treble | ||
\Soprano | ||
\Alto | ||
>> | ||
\context Staff = "lower" << | ||
\set Staff.midiInstrument = #"acoustic grand" | ||
\Global | ||
\clef bass | ||
\Tenor | ||
\Bass | ||
>> | ||
>> | ||
\header { | ||
composer = ##f % "Johann Sebastian Bach" | ||
opus = "BWV 850" | ||
title = \markup { "Praeludium V." } | ||
subtitle = ##f | ||
} | ||
\layout { | ||
\context { | ||
\PianoStaff | ||
\override Parentheses.font-size = #-2 | ||
\override TextScript.font-shape = #'italic | ||
\override TextScript.font-size = #-1 | ||
} | ||
} | ||
\midi { | ||
\tempo 4 = 100 | ||
} | ||
} |
77 changes: 77 additions & 0 deletions
77
...tian-bach/das-wohltemperierte-klavier-I/BWV850/das-wohltemperierte-klavier-I-05-2-fuga.ly
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Original file line number | Diff line number | Diff line change |
---|---|---|
@@ -0,0 +1,77 @@ | ||
Global = { | ||
\key d \major | ||
\time 4/4 | ||
\include "../global.ly" | ||
} | ||
|
||
Soprano = \context Voice = "one" \relative c' { | ||
\voiceOne | ||
\stemUp\tieUp | ||
\override MultiMeasureRest.staff-position = #0 | ||
\override Rest.staff-position = #0 | ||
%1 | ||
| R1 | ||
\fine | ||
} | ||
|
||
Alto = \context Voice = "two" \relative c' { | ||
\voiceTwo | ||
\stemDown\tieDown | ||
\override Rest.staff-position = #0 | ||
%1 | ||
} | ||
|
||
Tenor = \context Voice = "three" \relative c { | ||
\voiceThree | ||
\stemUp\tieUp | ||
\override Rest.staff-position = #0 | ||
%1 | ||
} | ||
|
||
Bass = \context Voice = "four" \relative c { | ||
\voiceFour | ||
\stemDown\tieDown | ||
\override MultiMeasureRest.staff-position = #0 | ||
\override Rest.staff-position = #0 | ||
%1 | ||
| R1 | ||
\fine | ||
} | ||
|
||
\score { | ||
\new PianoStaff | ||
<< | ||
\accidentalStyle Score.piano | ||
\context Staff = "upper" << | ||
\set Staff.midiInstrument = #"acoustic grand" | ||
\Global | ||
\clef treble | ||
\Soprano | ||
\Alto | ||
>> | ||
\context Staff = "lower" << | ||
\set Staff.midiInstrument = #"acoustic grand" | ||
\Global | ||
\clef bass | ||
\Tenor | ||
\Bass | ||
>> | ||
>> | ||
\header { | ||
composer = ##f % "Johann Sebastian Bach" | ||
opus = ##f % "BWV 850" | ||
title = \markup { "Fuga V." } | ||
subtitle = ##f | ||
} | ||
\layout { | ||
\context { | ||
\PianoStaff | ||
\override Parentheses.font-size = #-2 | ||
\override TextScript.font-shape = #'italic | ||
\override TextScript.font-size = #-1 | ||
} | ||
} | ||
\midi { | ||
\tempo 4 = 100 | ||
} | ||
} |
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